This post marks the beginning of a theme of posts on this illustration blog. I love to read novels. All sorts. I often look at the covers and am interested on how the artist has interpreted and expressed the book through the use of illustration, photography, typography and layout. I’ll start out with a poetic and famous book which is hailed to be one of the most widely read books of all time – Gabriel Garcia Marquez: 100 years of solitude.

“It was as if God had decided to put to the test every capacity for surprise and was keeping the inhabitants of Macondo in a permanent alternation between excitement and disappointment, doubt and revelation, to such an extreme that no one knew for certain where the limits of reality lay. It was an intricate stew of truths and mirages that convulsed the ghost of José Arcadio Buendía with impatience and made him wander all through the house even in broad daylight.” Gabriel Garcia Marquez: 100 years of solitude

“It was as if God had decided to put to the test every capacity for surprise and was keeping the inhabitants of Macondo in a permanent alternation between excitement and disappointment, doubt and revelation, to such an extreme that no one knew for certain where the limits of reality lay. It was an intricate stew of truths and mirages that convulsed the ghost of José Arcadio Buendía with impatience and made him wander all through the house even in broad daylight.” Gabriel Garcia Marquez: 100 years of solitude

“Carmelia Montiel, a twenty-year-old virgin, had just bathed in orange-blossom water and was strewing rosemary leaves on Pilar Ternera’s bed when the shot rang out. Aureliano José had been destined to find with her the happiness that Amaranta had denied him, to have seven children, and to die in her arms of old age, but the bullet that entered his back and shattered his chest had been directed by a wrong interpretation of the cards.” Gabriel Garcia Marquez: 100 years of solitude

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